VIDEO: Stevie joins School of Rock for surprise performance

Stevie made a surprise appearance at Tuesday night’s performance of the School of Rock musical at the Winter Garden Theatre in New York. The stunned crowd gave Stevie a standing ovation, before she and the School of Rock band launched into a fierce version of “Rhiannon”.

Afterwards, Stevie told the audience how impressed she was of the young musicians and encouraged them to donate to the School of Rock music education program.

“I would just like to say, everyone, to be in the presence of these kids that are so amazing that honestly sometimes I close my eyes and I’m not sure that it’s not Fleetwood Mac. It’s very trippy. They are so good, and so I want to ask you all also, that little extra bit of money, 5-10 bucks you have, donate it to that cause because it’s important. It’s the right thing to do. Thank you so much for being here.”

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Rhiannon featuring School of Rock band

School of Rock’s Sierra Boggess (excerpt)

When we met Sierra Boggess on a rainy New York City morning, within five minutes it became clear that she’s a woman who has given a lot of thought about who she is and how she wants to be in the world (she even managed to do this during the now standard, “It’s nice that it’s not freezing out, but also it’s kind of creepy,” small talk). Sierra is currently starring as Rosalie Mullins, the principal in School of Rock. Last season she appeared in It Shoulda Been You. Other Broadway credits include Master Class, Les Misérables, Phantom of the Opera, and she made her Broadway debut as Ariel in The Little Mermaid. She’s also crossed the pond and starred in the West End production of Love Never Dies. We talked to Sierra about her evolution throughout these productions, how she’s balanced her personal development while also working in the theatre, and how all of this has now taken root in her current role in School of Rock. Her astute exploration of her relation to her profession and her roles (both on and off stage) is just the sort of conversation that we think is important to have.

When you hear a song, do you immediately have an emotional response to it?
For sure. Even when it’s on the radio. Even when it’s mundane or “it’s just a pop song,” I think we as humans respond. It’s actually very scientific that we’re responding to the beat or the high notes. But I really respond to when I can hear, going back to this theme of perfection — I mean I’m obsessed with this whole thing and how much it’s in our lives — as the music industry has grown and people have tried to get this one way to look and one way to sound, it’s stripped away all of this rawness. As everyone by now knows, I’m the biggest Barbra Streisand fan. I discovered Barbra Streisand when I was a kid through my mother, and she had a record player and she would play her records, and the sound of her and the rawness… It’s so funny how Barbra has this reputation of being difficult to work with, and I guarantee you it’s because she’s a woman who speaks up for herself. I guarantee it. Because she knows what she wants. I’ve heard stories of her going back into the listening room and they’ll have mixed up something that she’s just recorded and she’ll be like, “Where are my breaths. You can’t hear my breaths.” Because they tried to strip it out and make it sound perfect and like you’re not a human singing—but she already doesn’t sound like a human singing because she’s freaking extraordinary—but she’s asking for the realness to be put back in. Obviously I don’t know her, I’m talking purely from an admirer standpoint, but that’s what I responded to as a kid: this raw sound, this real sound. It’s imperfectly perfect.

And Barbra’s so germane to what we’ve been talking about, not only in terms of her voice, but what she’s done for women in the industry.
Completely. And she still does. She’s so relevant to me. I use her so much within my show. On my wall, I have her [photo] because she’s my role model, and then I have Stevie Nicks too for Ms. Mullins. I have these two super powerful women in their respective industries. And what the show means to Stevie NicksStevie has come to our show twice and she’s going to come back again. She loves the musical and she loves the movie. She said when she first saw the movie she was watching TV and it was on and she was watching and then her song came on and then she was like, “I must have signed off on this at some point” — that’s when you know you’ve made it, when you’re like, “I guess I signed off on this.” But she said she’s been struck by being the only female rocker represented within the entire show, School of Rock. We’re celebrating rock and he [Dewey] references all of these different people within the show that are his inspirations, and Stevie Nicks is the only female represented in the rock world. It makes me want to cry just thinking about it. So, no wonder [it had an impact on her]. And she’s so relevant in that today. And I love that Rosalie gets to be the one to bring her to life and that she’s her inspiration.

And since for so long that singularity went sort of unnoticed and uncelebrated. Or not even being able to have the discussion of what it’s like to be the only one in a boy’s club.
Right. Can you imagine? I’ve thought about her so much, and at that time wanting to become a rocker and what that stigma was, it’s fascinating to me. I would love to talk to her about it.

Yeah, and that thing of how you do that without having anyone to look at and go, “Oh, okay, that’s how you do that.”
And I think that’s, subconsciously, what Rosalie Mullins is relating to is this woman who has paved the way. Going back to the character, I love her so much, and what I keep learning about her, to be a woman of the age she is — I’m in my early thirties — and she’s the head of one of the most established, prestigious schools and all of the other teachers are older than she is. And as a woman to be holding this up and the responsibilities and the pressures that she’s under to show up a certain way, that informed how I walk and how I talk. That goes back to the [idea of] coming from a place of truth. All of the expectations that there are on her, as a young woman, to be running a school of that caliber, it’s a lot.

Right, we usually think of women, if they’re in roles of authority, as being older or super tall and British.
Exactly. And there are clues within it. She says that no one has asked her to go out in six years. So six years ago she was twenty-eight years old, she went out to the teachers convention, had one beer, got drunk, and started coming alive singing Stevie Nicks. All of the teachers remembered it and will keep remembering it, but it’s the last time she did it and allowed herself to be free and vulnerable. And my acting teacher and I, when we were analyzing the scene in the bar and when Dewey gets her to go on a date with him, my acting teacher said, “This is a boundary she’s maintained for six fucking years.” And now this guy is coming in and asking her to come out of her comfort zone and the only time she relaxes is when she hears Stevie Nicks playing — her kindred spirit. It’s psychologically fascinating to me. Again, as a woman, can you imagine if any of them knew that she went out with this substitute and all of this stuff? I could go on.

Well, it so relates to women in our culture in general. Like how women get, “Oh, are you the assistant to the principal?”
Or, “Let me talk to who’s in charge.” “No, I am.

Read the full article here.

Victoria Myers / theINTERVAL / Monday, December 21, 2015

Fleetwood Mac to record new album in 2016

So: Stevie Nicks and Mick Fleetwood were at the Broadway premiere of “School of Rock” Sunday night. Why? In the movie, Stevie’s “Edge of Seventeen” is cited and sung. In the musical, too. Big discussion of Stevie and Fleetwood Mac in the show, which got a lot of laughs from people in the audience who knew they were in attendance.

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Backstage, Stevie told me the first time she knew “Edge of Seventeen” was in the movie, she was at home by herself with Sulamith, her hairless Chinese Crested, and watching TV. “I couldn’t believe it,” she said, “and I had no one to share it with but her.”

Stevie told me that Fleetwood Mac’s long world tour is finally over. Now they will undertake a new album. Not just the four songs they released for download in 2014. “A whole album, we have plenty of songs,” she advised. This will be most welcome. Their last album came out in 2003, before I was born.

I also met the great Mick Fleetwood for the first time ever. He is very tall and extremely nice, with long gray hair tied into a pony tail and a matching beard. We talked about the pre-Lindsey Buckingham-Stevie Nicks pairing coming to the Mac in 1977 for the self titled album that launched a mega career for the group (and went on Rumours, Tusk, and everything since then). Do you go back as far as [original member] Peter Green, Mick asked? I do, I told him, and we talked about “Bare Trees,” “Heroes are Hard to Find,” and “Hypnotized.” Mick was surprised that I knew Peter Green wrote Santana’s hit “Black Magic Woman.”

Sting, who’d really never met Fleetwood, said he went back to the Mac 1968 hit “Man of the World.” Fleetwood was impressed. I think he was impressed we knew that Fleetwood Mac started out a blues band.

Also PS I did ask Stevie why the original Buckingham Nicks album has never been on CD. It remains one of the few oddities of the rock era still only on vinyl somewhere (like my record bin). Mick chimed in “It got them the gig.” That was FORTY years ago. Well? “The real answer is, I don’t know,” said Stevie.

So much for that.

Roger Friedman / Showbiz 411/ Monday, December 7, 2015

Stevie, Mick attend School of Rock Broadway premiere

On Sunday, Stevie Nicks and Mick Fleetwood turned up at the Broadway premiere of School of Rock, a new musical based on the 2003 film, which starred Jack Black and Joan Cusack. Mick’s twin daughters Ruby and Tessa also attended the show, which is currently playing at the Winter Garden Theatre in New York. While on the star-studded red carpet, Stevie and Mick spoke to the press, such as ET (Entertainment Tonight).

Stevie and Mick were spotted later at the Hard Rock Cafe in Times Squares, attending the School of Rock after party.

A huge fan of Broadway musicals, Stevie showed up again on the following night to watch another performance of School of Rock. And just two nights earlier, Stevie and Mick watched an evening performance of Wicked.

Photos by Jenny Anderson, Broadway World, Bruce Glikas, Elizabeth Helke, Cooper Lawrence, and @SoRmusical

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In the original film, Stevie’s 1981 hit “Edge of Seventeen” played an integral role to the plot. During the bar scene, substitute teacher Dewey Finn (Jack Black) plays one of Principal Rosaline Mullins’ (Joan Cusack) favorite songs (“Edge of Seventeen”) in an attempt to persuade the uptight principal to let him take their elementary school students to a concert. Tipsy from her beer, Principal Mullins starts to dance and sing aloud to the song.

Celebrity Sightings, reported by Jaime Rabb, OK! 
On Sunday, December 6, Fleetwood Mac icons Stevie Nicks and Mick Fleetwood visited Hard Rock Cafe New York in Times Square as part of the after party to celebrate the Broadway premiere of School of Rock.

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