Legend, icon, storyteller

Stevie Nicks Talks About Empowering Women, Fleetwood Mac and her Next Tour

Legend. Icon. Storyteller.

“I have a super loud voice,” Stevie Nicks said with a laugh. The world is thankful for it. Her voice is necessary in times like these. The future is up in the air and Stevie Nicks has stepped up to the plate to be the heroine we all need. She is taking the show on the road and it will be unlike anything anyone has ever seen before. The 27-city tour starts on October 25th in Phoenix and will travel to places like Atlanta, Toronto, Chicago, Philadelphia, New York City and more. “The 24 Karat Gold Tour” is the next chapter in the mythical career of Stevie Nicks.

In an exclusive interview with The Huffington Post, Nicks went into detail about what fans should look forward to when “The 24 Karat Gold Tour” comes to town. “I made a list. I went all the way back into my full catalog because the 24 Karat Gold record has a lot of songs. It also does encompass in many ways all the songs from all my solo records. So I’m having to pick. My list ended up to be 31 songs, it’s really ridiculous. I have an amazing opening act in The Pretenders. It cannot be a three hour set like I just finished doing with Fleetwood Mac and I asked, ‘But why?’ My musical director and lead guitarist asked if I cut down the set at all yet and I went, ‘Nope.’ So I said, ‘Just hand out the 31 songs to the band and tell them they don’t have to learn them all perfectly. They just have to be aware that we need to play these songs because sometimes the songs that you think are going to be the best aren’t and sometimes the songs that you think will never work end up being some of your favorite things,’” she told me. It was quite clear that Stevie Nicks created an adventurous and exciting air around her latest undertaking.

Nicks acknowledged that she will have to revisit her classic hits before touching the new material. “Of course there are the songs that you have to do which are ‘Landslide’ and ‘Edge Of Seventeen.’ That’s fine. I love all those songs so I don’t care. I wish I could do all new songs but you can’t,” she chuckled. She continued, “I’m going to try to do some title songs. I’m going to make an effort to do an extremely difficult complex song called ‘Wild Heart’ which may totally go down in flames. The fact is I’m going to try because I always wanted to do it on stage. It’s a very complex and complicated song but I’m hoping it’s going to work. I’m going to do the songs ‘Bella Donna’, and ‘Rooms On Fire.’ I’m trying to represent every record. There’s a bunch of songs on 24 Karat Gold that haven’t been played by my band. We have to work through all the songs on 24 Karat Gold to see if they will work. If you miss one syllable you can be lost in the dark. There’s not even time to breathe. My musical director said ‘Oh my God. Call me when it’s over.’ I said, ‘Don’t worry it’s going to be okay. It’s all going to work out.’ He’s a nervous wreck. It’s going to be great because we are actually going to ‘represent’. That’s what people say today, right? This tour is a little bit about the glorious past up until now. These songs are not songs that were ever kicked off records,” Nicks told me. She then explained why the songs were never released. She said, “These are songs that were pulled off records by me because I didn’t like how they were recorded. Which means I didn’t like the production, I didn’t like the singing, I didn’t like the fact that it was made too much into a rock n roll song or not. These weren’t songs that I didn’t want to go out, these were just songs that weren’t right. I said ‘No, I’m not going to have a bad experience with this song’ so I pulled them. That’s where 24 Karat Gold came from.” What is old is new again. Fans have been salivating to see these buried treasures played live by the icon.

You can never, ever get out of the line. You have to stay in the line because somebody will jump in there and take your place.

When explaining the process of recording 24 Karat Gold, Nicks told me, “We started with sixteen songs when we went to Nashville. And it came down to fourteen or fifteen, maybe. I said to Dave Stewart who has all my demos, ‘How can we make a record of these songs and do it while I’m off from Fleetwood Mac, while Christine is moving back to LA, while we are getting her straightened out? How long would that take?’ Dave said, ‘2-5 and 6-10 and then you go home.’ He followed up by saying, ‘You need to be on time and everything will be charted. And you want these songs charted exactly the way they were on your demos. They will be exact. They won’t be arguing with you. These are the best of the best studio musicians and they play on all different kinds of records every single day.’ We had to be organized and we were. It was so great because I didn’t have to learn to sing any of these songs differently because they were exactly as I wrote them. And they loved them. We recorded live. I was in a booth looking at all of them. The drummer, another guitar player, we had three guitar players and it was all there and I could see everybody. It was like playing in a club. When we were done, we jumped on a plane and flew back to my house. It was really fun. We had another three weeks at my house and then it was done. And it was amazing because the only records made in that kind of time were Fleetwood Mac because we really didn’t have that much money. We had a record deal. It was well known but it wasn’t the time to be self-indulgent. And Bella Donna took three months with a month of rehearsal and a month before that of picking out the songs. Every other record we’ve ever done has taken at least a year. Rumors, all of the records. We have enough money where everyone goes ‘We can do whatever we want.’ And I think sometimes that really doesn’t work that well for you because you really don’t need to book every studio in the city to put five thousand overdubs on music that is already really good. You are trying really hard to use your time wisely. You get better stuff and it is a lot more fun getting the stuff that you do get.” Nicks has had a lot of fun throughout her career and doesn’t plan on stopping anytime soon. Just when you think you have seen it all, Nicks makes sure that you haven’t seen anything yet.

Stevie Nicks - 24 Karat Gold Songs from the Vault“I’m not going out to promote this record to sell records because I know people don’t buy that many records now. I have a really good record, and I can go up on stage and do as many of the songs that I can get away with doing,” Nicks told me. She continued, “This will be a very theatrical show. We have a lot of great pictures. This is something I have not mentioned to anybody else. The guy who took the cover of Rumours, Fleetwood Mac and all of my covers, Herbert W. Worthington III, died last year and he left me everything. He left me every picture he ever took, all the way back to Jimi Hendrix, Buddy Guy and all the Fleetwood Mac stuff. All of the press photo sessions. I have an immense amount of amazing photographs taken by this great photographer who was a dear friend of mine that I can now use. When he was alive, he was like ‘You can have that one picture but it’s going to cost you $5,000.’ I would go ‘Herbie come on! Nobody is going to pay that much money! Are you crazy?’ It’s never been seen. So we have these photographs to use and to put up behind me. There’s a picture for every song. A picture tells a thousand stories so that’s really exciting too. I’m going to try to make the beautiful art book that he always wanted to make but never got the opportunity to do.” Stevie Nicks is all about making opportunities that were once not possible—including another Fleetwood Mac tour.

“We will go out again. We will probably go out in another year and a half,” Nicks said while shaking her head. She followed up by saying, “We have to for Christine. Because she’s like ‘Oh my God. I just came back to the band after sixteen years and you are going to break up now?’ We can’t break up now. We gave Christine her 120 shows and she flew through them. She’s five years older than me and you would just never know it. She looks great. You’ll get to see that show. She will never let us off the hook for that.” Stevie Nicks made sure to not let the next generation off the hook when she spoke about what it takes to succeed in the world today.

Stevie Nicks and Adele
Backstage with Stevie Nicks and Adele

“I think it’s very hard now. That does not mean that it can’t happen,” Nicks said endearingly. She continued, “Look, it happened for Adele. Adele is certainly someone who writes great songs and has an amazing voice. Why did it happen for Adele? It’s because the stars crossed exactly at the right time, who knows. Whatever it was she worked very hard at it. I think that’s the thing. You have to figure out a way, if you’re eighteen or moving out of your parents house because you have to figure out a way to play and also support yourself. If everybody is like how my parents were, oh boy, I went to college for five years. I stopped after five years and had three months left to graduate. I called my parents and I said ‘My boyfriend Lindsey and I are going to LA.’ They said ‘Well, that’s fine we totally believe in you and support your theory in what you’re doing.’ I said, ‘Mom, we have to go now. It’s now or never.’ She said, ‘Cool, however, we will be withdrawing all financial support.’ And I said ‘I know that and it’s okay. We are going and I will be okay.’ And it was okay. Lindsey and I went to LA in 1971 and we worked out butts off. I had lots and lots of jobs. We didn’t really play shows because Lindsey didn’t want to play covers. We could have made a thousand dollars a week if we did three days a week. I wouldn’t have had to be a cleaning lady, a maid, a waitress or any of that. But the fact is, is that it made me a well-rounded person to be able to do that. We never gave up. You just have to keep working. I watch all those shows like The Voice, the end of American Idol, America’s Got Talent. I watch them all because I think they are all really fun. I’m a musical person and I love to watch people sing. If that’s what Lindsey and I had to do, if it was now, I would be dragging him tooth and nail to do those shows. Because if that’s the only way you can get people to see you now, then go on those damn shows. If you don’t get on them this year, go home and get better and practice and go back and do it again next year. If this is what you want to do, you have to be absolutely organized. And devoted and determined and you can’t listen to anybody tell you what you can and cannot do. Nobody knows what you can do except you. You have to prove the world wrong, period. If you’re really good…And I think most people could actually say they are really good at something. I did. I would look in the mirror and would go ‘Lindsey and I are excellent singers and we don’t sound like anybody else. We can captivate an audience and we can write great songs. So I don’t care if I’m a waitress right now because I’m not going to be a waitress for very long.’ That’s the attitude you have to take.”

Independence…I think that’s important when talking to kids, especially women. Assert your independence.

Nicks continued to share words of wisdom for aspiring entertainers. “If you can’t have that work ethic about what you do, you might as well just try to go to school and learn to do something where you can get a job that you can get paid for. Rock and roll, music, acting, being a dancer. It’s all fleeting unless you never look away. You can never, ever get out of the line. You have to stay in the line because somebody will jump in there and take your place,” she said in all seriousness. Passionately, she exclaimed, “One thing I remembered when we first moved to LA—we played for people. A lot of people were like, ‘Yeah you guys are really good…But who are you? What are you? Are you rockabilly? Are you folk singers? Are you going to add members and become a rock n roll band? A country rock n roll band? Are one of you going to become a preacher? Are you going to be with the Everly Brothers?’ We would be like, ‘We don’t know. We just know that we are going to be really famous. And we are really good at what we do. We don’t put ourselves in any specific box. You can put us in a box and tell us what we are if you want and maybe we will believe you. But the fact is—what we know is—that we are really good.’”

Nicks then proceeded to give career advice for young women in this day and age. “If this didn’t work out for me I would have probably been a disc jockey or maybe an editor. I would have done something that was really, really fun. If this didn’t pan out for me and I finally started thinking 10 years down the line ‘Well maybe this isn’t going to work,’ I would have done something else and continued to do music in my leisure time. There is something also to be said about that. I think I could have been a great disc jockey because I love music and I love talking and I love telling stories. I think I could have been great at doing something like that. I always had something like that in the back of my mind even when I was sixteen when I told my parents that I was going to be a singer-songwriter and that’s that. And my mom’s like ‘Well you are going to take short-handed typing. Because you are going to be able to be an independent woman. You are going to be able to stand in a room with really smart men and hold your own. You are never going to feel like you are behind while the whole room of men are going to look at you like some stupid girl.’ My mom was seriously independent and she always had a job. She wanted that for me from the very beginning. To have my independence. I think that’s important when talking to kids, especially women. Assert your independence. Christine and I knew that we would never be treated like second class citizens when standing in a room with Eric Clapton, Jimmy Page and Robert Plant. All of the famous men. If anybody ever treats us with anything but total respect we will just walk out and it is their loss. And that was implanted in my head by my mom long before I graduated from high school.” Mom always knows best. So does Stevie Nicks.

Nicks hammered the point home by telling people to always put in their best effort and to never be afraid of being different. She said, “You could be a really good photographer but guess what? Your 5-year-old is a really good photographer. The bar has been set so high now with everything. I think I’m a good photographer. But then I see these little kids taking these pictures and they are phenomenal. So you have to go back and say ‘Well I’m going to be better than that. The bar is raised and I’m going to jump over that bar. I’m going to be a better photographer than all the 5-year-olds and all the 25-year-olds.’ The bar has been raised in everything because of this tech world we live in. I don’t have a computer. I don’t have an iPhone. I have a camera that takes really good pictures and I have a flip phone in case of a fire. That’s it. I don’t live in that world but I see everybody around me that lives in that world. Sometimes I feel like I am an alien. Everybody is sitting with a silver computer on their laps and crying because the Internet went down. That’s really how people are and I don’t live in that world. Maybe we should talk about kids being truly creative, who want to be a performer or a writer. They can’t live in that world. Get out of that world. Start writing by hand. Life is beautiful. Buy a notebook, take out a pen and write it out instead.” In true Stevie Nicks style, she had one last thing to say to everybody.

“Whatever you do just don’t be sitting next to somebody and talk to them on your phone.”

You can purchase tickets to “The 24 Karat Gold Tour” by clicking here.

Kyle Stevens / Huffington Post / Monday, September 19, 2016

Follow Kyle Stevens on Twitter: www.twitter.com/thekylestevens

Dave Stewart recalls his fling with Stevie Nicks

Stevie Nicks & Dave Stewart

Dave Stewart recalls his fling with Stevie Nicks — and how it led to a hit with Tom Petty

In an exclusive excerpt from Sweet Dreams Are Made of This: A Life in Music, Dave Stewart’s scintillating memoir (Feb. 4, NAL), the former Eurythmics member recalls a wild night of love — and drugs — with Stevie Nicks (and the drama that followed)

Memoir Excerpt:

We continued touring America for the remainder of 1984. When Annie [Lennox] and I played the Wiltern Theatre in Los Angeles, the place was absolutely packed with half of the L.A. music industry and a host of famous ­musicians. There was hardly room for the general public. It was a wild show. There were a lot of ­musicians and ­singers backstage, and one of them was Stevie Nicks.

Stevie was in my dressing room doorway, wearing a faux-fur coat just like the first time I met Annie. Underneath she wore a black lace dress and she had long, flowing hair. I didn’t know who she was, but there was something about her that I was instantly attracted to. Stevie remembers that I looked her straight in the eye and said, “I want to be your ­boyfriend.” Little did I know that the day before, [The Eagles’] Joe Walsh and Stevie had had a big fight and had broken up. She invited me back to her house for a party, and 10 minutes later, still in full sweaty leather stage gear, I was in the back of a limo with Stevie and her backing singers. When we got there it wasn’t really a party: just Stevie and her singers being very speedy, ­laughing and talking. The house seemed enormous to me, so I wandered around, and when I came back to the ­living room, they had all disappeared into a bathroom for what seemed like hours. Actually it was hours. At around three in the morning, I ended up saying to myself, “OK, I’m really tired now and I have no idea where I am or which hotel Annie and the band are staying in.”

Dave Stewart and Stevie NicksI just went to bed in one of the four bedrooms upstairs. I woke up at about 5 a.m. to the sound of doors rustling open and in the half-light saw Stevie opening and closing closets, as if it was the middle of the afternoon. Obviously they were all still ­wide awake, aided, I imagine, by what we in England call “marching powder.” Stevie went back in the bathroom and about an hour later came out in a long Victorian ­nightdress and quietly slipped into the other side of the bed. Stevie is an incredibly talented, soulful and ­beautiful woman. There was a fair amount of what I’d call skirmishing that went on. I remember at one point actually falling backward out of bed onto the floor, which made us both laugh hysterically. Stevie recently told me that all she could see when she came out of the bathroom that night was a mound of black leather and chains on the floor and a wild head of hair poking out of the bed covers. I remember making love once, but she later told me we made love twice. And then she said, “I remember clearly because I was wide awake, wired on cocaine.” It was all very good-humored and sweet, but also romantic in a rock’n’roll kind of way.

I was woken up at about 9:30 a.m. by Stevie saying I had to leave because someone might have been coming around to collect their clothes, and things could get tricky. I didn’t like the sound of “tricky,” so I phoned my management, found out where the band was ­staying and jumped in a cab.

After San Francisco we had some time off, and I decided to go back to L.A. to see Stevie again. Jimmy Iovine, the great producer who went on to start Interscope Records in the early ’90s, had invited me to stay with him at his house, and this was where it got interesting. I had no idea of the complexity of the relationships among Jimmy, Stevie Nicks and Tom Petty at the time. But I was soon to find out more than I ever imagined.

Jimmy had been living with Stevie in 1981 when he was producing her album Bella Donna, which was a huge success. Now he was working on her next album, except this time around they were not together. Stevie said later that it was because she was so addicted to drugs at that time.

I played Jimmy the demo of “Don’t Come Around Here No More” [which Stewart co-wrote and co-produced], and he said, “Wow! This is going to be great. Let’s make it for Stevie’s album.”

I jumped at the chance to work with Stevie, and we went right into the studio a few days later. When we started recording, Stevie was acting strangely and not really coming out of the bathroom much.

There seemed to have been quite a bit of friction between them. I had no idea that it was because they had been living together and were now broken up. Finally, Stevie appeared with her lyric book and started to sing into the microphone.

I was mesmerized until Jimmy said, “She’s ­reciting f–ing Shakespeare!” He did have a point; it was kind of Shakespearean and very odd. He was trying to get Stevie to change the lyrics. Stevie was upset and the discussion became very tense. He was saying, “Can you stop arguing with me in front of my friend David? You don’t really know him.” And she said, “Your friend? What are you talking about? We slept together the other night.” I turned white and stared at the floor, ­wondering what was coming next. Fortunately Stevie turned, walked out the door and left the studio.

I thought Jimmy was going to ask, “What does that mean?” But he just said, “I know what we should do. We should get Tom Petty down here to finish writing the song with you. He’s great.”

—Dave Stewart

Dave Stewart Sweet Dreams Are Made of This Memoir

This story originally appeared in the Feb. 6 issue of Billboard.

Billboard / Saturday, February 6, 2016

Double dose of Stevie in February

Get ready a double dose of Stevie in February!

On Friday, February 5, Charles Kelley releases his first solo album The Driver, which features harmony vocals from Stevie on the Tom Petty cover “Southern Accent.”

Listen to Charles Kelley’s cover of  ‘Southern Accents featuring Stevie Nicks now!

Then on Tuesday, Feburary 9, Dave Stewart releases his first autobiography Sweet Dreams Are Made of This: A Life in Music, in which Dave describes meeting Stevie for the first time and recording Stevie’s 2011 album In Your Dreams. The autobiography includes several pictures, including a few with Stevie. Here is Stevie’s comment about Dave, which is printed on the back cover of the book:

“In 2010, I spent an entire year with Dave making a record called In Your Dreams at my house in Los Angeles. It was the ‘best year of my life.’ But now, I really see what it meant to me; it meant everything. He allowed me to be my most creative self. He is my hero. The memories of those days still take my breath away. Thanks Dave. It was real….beautiful.”—Stevie Nicks

Both releases are available for preorder now!

Amazon: The Driver and Sweet Dreams Are Made of This: A Life in Music
iTunes: The Driver

Stevie revisits ‘Don’t Come Around Here No More’ in Petty bio

Tom Petty The Biography Warren Zanes November 10, 2015Tom Petty’s new biography Petty: The Biography will be released on Tuesday, November 10. Here is an exclusive excerpt from the book on the recording of Petty’s 1985 hit single “Don’t Come Around Here No More,” originally intended for Stevie Nicks to record for her third solo album Rock a Little.

1985’s “Don’t Come Around Here No More” was a breakthrough smash for Petty, but it almost didn’t happen: He, co-writer/producer Dave Stewart of Eurythmics and co-producer Jimmy Iovine made it in a recording session for Stevie Nicks.

“Tom had come down, and he liked what we were working on,” explains Nicks. “I was writing madly. I had my little book, and I was just writing, writing. Tom, Jimmy, and Dave were sort of talking. But it was five in the morning, and I was really tired. So I said, ‘I’m going to go. I’m leaving you guys, and I’ll be back tomorrow.’ I left, and when I got back the next day, at something like 3 p.m., the whole song was written. And not only was it written, it was spectacular. Dave was standing there saying to me, ‘Well, it’s terrific, and now you can go out…and you can sing it.’ Tom had done a great vocal, a great vocal. I just looked at them and said, ‘I’m going to top that? Really? I got up, thanked Dave, thanked Tom, fired Jimmy and left.”